Defining the ‘self’ and the ‘other’ in Disney song lyrics
Keywords:
Globalization, Disney, otherness, language, song lyricsAbstract
This paper addresses the way Disney identifies American culture as opposed to non Western cultures through the manipulation of song lyrics. Accounting for whether Disney lyrics in animation ease or hinder cross-cultural communication between the West and the East under globalization is crucial to our understanding of its impact on young audiences. Considering its inherently humoristic and amusing nature, Disney lyrics can be powerful and effective means to inform and familiarize children with other peoples and cultures. Yet, Disney’s portrayal of other minorities or ethnic groups worldwide is often misleading and biased.Downloads
Metrics
References
Curran,J. & M.J. Park (2000). De-westernizing Media Studies, New York: Routledge.
Gilman, S. (1985). Difference and Pathology: Stereotypes of Sexuality, Race, and Madness, Ithaca, NY: Cornell University Press.
Giroux, H. (1996). Fugitive Cultures: Race, Violence and Youth, New York: Routledge.
Giroux, H. (1995). «Memory and Pedagogy in the Wonderful World of Disney: Beyond the Politics of Innocence», in E. Bell, et al (dir.) Mouse to Mermaid: The Politics of Film, Gender, and Culture, Bloomington: Indiana University Press.
Kramer, P. (2000). « Entering the Magic Kingdom: The Walt Disney Company, the Lion King and the Limitations of Criticism», Film Studies, n°2: 44-50.
Lacan, J. (1953). «Some Reflections on the Ego», In International Journal of Psychoanalysis, n° 34: 11-17.
Mulvey, L. (1975). « Visual Pleasure and Narrative Cinema» Screen, 26: 3: 6-18.
Said, E. (1994). Orientalism, New York: Vintage Books.
Steven, C. (2001). Hollywood and Anti-Semitism: Cultural History up to World War II, Cambridge University Press.
Wells, P. (2003). Animation: Forms and Meanings, London and New York: Routledge, 213-238.
Downloads
Published
How to Cite
Issue
Section
License
Authors can retain copyright, while granting the journal right of first publication. Alternatively, authors can transfer copyright to the journal, which then permits authors non-commercial use of the work, including the right to place it in an open access archive. In addition, Creative Commons can be consulted for flexible copyright licenses.
©1999 Creative Commons Attribution-ShareAlike 4.0 International License.