The freeplay of meaning gone to extreme: An oriental critique on Derrida
Keywords:
Avicenna, deconstruction, logos, freeplay, Ultimate Cause TheoryAbstract
Through deconstruction, Jacques Derrida refutes the possibility of knowledge and meaning and moves toward extreme skepticism. A chief Derridean assumption is that the fully free play of meaning runs against origin and logos. The present paper, however, endeavors to throw critical light on Derrida’s anti-logos theory, and to this end, the eastern philosopher Avicenna will be drawn on. Avicennian Ultimate Cause Theory applied, deconstruction will be re-visited arguing that signifiers naturally call for a starting place from which they may initiate signification. Nevertheless, it will follow that logos is not an obstacle against the semantic free flow; rather, meaning circulates freely as a result of infinite similarities among signs, all operating under the auspices of the logos.
Downloads
Metrics
Downloads
Published
How to Cite
Issue
Section
License
Authors can retain copyright, while granting the journal right of first publication. Alternatively, authors can transfer copyright to the journal, which then permits authors non-commercial use of the work, including the right to place it in an open access archive. In addition, Creative Commons can be consulted for flexible copyright licenses.
©1999 Creative Commons Attribution-ShareAlike 4.0 International License.