Birthday party and one for the road: Reading from the stylistic perspective
DOI:
https://doi.org/10.14687/jhs.v16i3.5677Keywords:
Dialogic texts, linguo-stylistics, language, narrative voice, PinterDiyalog metinleri, dilbilimsel özellikler, dil, anlatı ifadesiAbstract
The paper aims to demonstrate some strengths and limitations of linguistic and discourse-based methodologies applied in the analysis and interpretation of texts which have been used for more than two decades. It argues that the interplay/contribution of linguistic and literary dimensions in the text organization is consensual. Pinter’s The Birthday Party (1958) and One for the Road (1984) are analysed and interpreted from the perspective of language dimensions, pragmatic functions, dialogic and polyphonic structure.
Özet
Çalışma, yirmi yıldan fazla bir süredir metinlerin incelenmesinde ve yorumlanmasında uygulanan ve kullanılan dilbilimsel ve söylem temelli metodolojilerin bazı güçlü ve zayıf yönlerini ortaya koymayı amaçlamaktadır. Bu çalışma ayrıca, metin organizasyondaki dilsel ve edebi boyutların etkileşiminin ve katkısının fikir birliğine dayalı olduğunu tartışmaktadır. “Pinter’ın The Birthday Party” (1958) ve “One for the Road” (1984) oyunları, dil boyutu, pragmatik fonksiyonlar, diyalog ve polifonik yapı bakımından yorumlanıp analiz edilmiştir.
Downloads
Metrics
References
Billington, M. (2001). The Life and Work of Harold Pinter. London: Faber and Faber.
Burkman, H. K. & L. Kundert-Gibbs (eds.) (1993). Pinter at Sixty. Indiana: Indiana University Press.
Dascal, M. (2003). Interpretation and Understanding. London: John Benjamin’s Publishing Company.
Derida, J. (1976). Of Grammatology. (trans. Gayatri C. Spivak). Baltimore: John Hopkins University Press.
Dukore, B. (1962). “The Theatre of Harold Pinter”. The Tulane Drama Review, vol. 6, no. 3.
Fairclough, N. (2001). Language and Power. London: Longman.
Grimes, C. (1999). “A Silence Beyond Echo: Harold Pinter’s Political Theatre”. Unpublished Doctoral Dissertation, New York University, Department of English Literature, New York.
------------------ (2005). Harold Pinter’s Politics: A Silence Beyond Echo. Madison: Fairleigh Dickinson University Press,.
Gussow, M. (1994). Conversations with Pinter. London: Nick Hern Books.
Maley, A, & Duff, A. (2010). Drama Techniques: A Resource Book of Communication Activities for Language Teachers, Third Edition. Cambridge: Cambridge University Press.
Malkin, R. J. (1992). Verbal Violence in Contemporary Drama: From Handke to Shepard. Cambridge: Cambridge University Press.
Peacock, D. K. (1997). Harold Pinter and the New British Theatre. London: Greenwood Press,
Pinter, H. (1985). One for the Road. London: Methuen.
------------------(1960). The Birthday Party: A Play in Three Acts. London: Samuel French.
Prentice, P. (2000). The Pinter Ethic: The Erotic Aesthetic. New York: Garland Publishing Inc.
Raby, P. (ed.) (2001). The Cambridge Companion to Harold Pinter. Cambridge: Cambridge University Press.
Rosengarten, W. & Yeang C. (2000). “The Affirmative Absurd in Harold Pinter’s Plays”. Hawaii: Unpublished Master’s Thesis.
Skehan, P. (2007). A Cognitive Approach to Language Learning. Oxford: Oxford University Press.
Şekerci, Ö & Demiray, M. (2013). “The Reflection of Direct and Indirect Politics in Pinter’s The Birthday Party and One for the Road”. Suleyman Demirel University, Journal of Social Sciences, December, No. 30, 255-267.
Downloads
Published
How to Cite
Issue
Section
License
Authors can retain copyright, while granting the journal right of first publication. Alternatively, authors can transfer copyright to the journal, which then permits authors non-commercial use of the work, including the right to place it in an open access archive. In addition, Creative Commons can be consulted for flexible copyright licenses.
©1999 Creative Commons Attribution-ShareAlike 4.0 International License.